Kitagawa Utamaro (1753-1806) - Lot 31

Lot n° 31
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70000 - 100000 EUR
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Result : 90 580EUR
Kitagawa Utamaro (1753-1806) - Lot 31
Kitagawa Utamaro (1753-1806) Oban tate-e, Edo-chō itchōme Tamaya nai Wakaume Mumeno Iroka (江戸町一丁目玉屋内若梅むめのいろか), Wakaume from the Tamaya to Edo-chō 1-chōme, Mumeno and Iroka. White micaceous background. Signed Utamaro hitsu, publisher Tsutaya Jūzaburō (Kōshodō), censor stamp kiwame. Circa 1793-1794 (restorations). Dim. 36.9 x 24.6 cm Wakaume was a zashikimochi (lit. "who has her own retinue"), the second-highest rank among oiran, of the Yahachi Tamaya. The latter is not to be confused with the prestigious corner Tamaya on the same street. One of her kamuro, a child in the service of the oiran, hides shyly behind her. The kamuro were trained by their oiran in calligraphy, music and etiquette to prepare them for their future role. In the Yoshiwara, a woman's beauty was not only visual, but also depended on her elegance and education. In the top left-hand corner of the plate, a poem by Hachi no Nankô makes a pun on Wakaume's first name, meaning "young plum". Shiromuku no 白むくの yuki no uchi yori 雪のうちより saki-idete 咲いでゝ na mo kôbashiki 名もかうばしき Wakaume no hana 若梅の花 Blossoming with Her snow-white dress Even its name is delicate The flower, Wakaume References This print appeared in the exhibition The Riddles of Ukiyo-e. Women and Men in Japanese Prints 1765-1865, Japan Museum SieboldHuis, Leiden, 2023. Reproduced in the exhibition catalog, pp. 50-51. Similar prints reproduced in : Asano & Clark. The Passionate Art of Kitagawa Utamaro (1995) 2 vols. #127 Collia-Suzuki. The Complete Woodblock Prints of Kitagawa Utamaro, A Descriptive Catalogue. 2009, p. 273 A similar print in the Museum of Fine Arts, Boston, accession number 11.14300.
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